A produção foi realizada por Büro Staubach e a ART+COM.
website e video
Opera, The Jew of Malta used a virtual stage (stage consisted of three large rear-projected screens, displaying clipping planes of a 3D model) and realtime generated costumes. The main character was tracked by cameras which allowed him to control the position and rotation of the model. The production was a co-production between the opera-biennale Munich with Büro Staubach and ART+COM. The project’s website ande video .
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